Marquez in a Paris hotel / José Arcadio Segundo
In 1955, he published his debut novella "Leaf Storm". The plot of the story tells about the life of an elderly colonel. It took Marquez seven long years to find a publisher who would agree to print his work. One day, Marquez marked that "Leaf Storm" was his most favorite novel of all his vast oeuvre. The writer used to call it his most spontaneous and sincere work.
In Barranquilla, the young Marquez met a huge number of writers, journalists and simply educated people. Gabo drew inspiration for his future works from new acquaintances. He formed his own view of the culture and literature of his native country.
The work of Ernest Hemingway had a huge influence on the young writer. The master of realistic storytelling was incredibly popular at the time, and Marquez found his first inspiration in the stories and novels of his idol.
Marquez named Ernest Hemingway as responsible for the style,
and William Faulkner for the soul.
Among others who most influenced his work and style of narration,
Among others who most influenced his work and style of narration, Marquez named Ernest Hemingway as responsible for the style, and William Faulkner for the soul.
These were his first jobs as a journalist. In 1954, he returned to Bogotá to work for national newspaper El Espectador.
Marquez got his passion for stories from his grandmother and made a decision to become a writer after reading "The Metamorphosis" by Franz Kafka.
Gabriel wrote the first novel “Leaf Storm”
July 15 — Marquez goes to Europe as a special correspondent
The end of summer — Marquez visits Prague and Warsaw behind the back of the newspaper management
December — Marquez moves to Paris
“Leaf Storm” is published
July 15 — Marquez goes to Europe as a special correspondent
The end of summer — Marquez visits Prague and Warsaw behind the back of the newspaper management
December — Marquez moves to Paris
“Leaf Storm” is published
Paris in 1955 / Dr. Juvenal Urbino and Fermina Daza, characters from Gabriel García Márquez's "Love in the Time of Cholera" in Paris
Paris in 1955 / Dr. Juvenal Urbino and Fermina Daza, characters from Gabriel García Márquez's "Love in the Time of Cholera" in Paris
Six years later, Marquez released his second novel, which also told the biography of an elderly colonel. The story was called "No One Writes to the Colonel" and is still one of the best of "realist literature".
The young writer decided to create a realistic work, inspired by the novels and stories of Ernest Hemingway. This story is about the lonely life of an elderly man who has to spend his life in the company of his wife. The husband and wife reminisce about the old days and their deceased son, who died not too long ago.
Although Marquez’s first works were created in the genre of "realism", later he experimented with other literary directions. The writer won real fame thanks to his novel One Hundred Years of Solitude. This masterpiece is written in a style that would later be called "mystical realism".
In 1972, Marquez presented a collection of his early short stories, which was entitled The Eyes of the Blue Dog. The collection included stories that the writer created in 1947−1955. These stories were once printed in local newspapers
From García Márquez's memoir:
"From the moment I wrote "Leaf Storm", I realized that I wanted to be a writer, and that no one could stop me, and that the only thing left for me to do was to try to become the best writer in the world."
Work on the novel No One Writes to the Colonel
Travelling to the GDR, USSR, Hungary, London
December — return to Latin America, in Venezuela
Work on the novel No One Writes to the Colonel
Travelling to the GDR, USSR, Hungary, London
December — return to Latin America, in Venezuela
In the two first works of the author one can notice references to La Violencia, a civil war between the liberals and the Colombian Conservative Party. The characters of these novels face curfew, strict censorship, and underground newspapers. In the first novel of the writer named Evil Hour you can also see references like this, but you can’t call it a platform for political propaganda.
21 March — wedding of Garcia Marquez and Mercedes Barcha Pardo
21 March — wedding of Garcia Marquez and Mercedes Barcha Pardo
United Fruit Company workers loading bananas onto a ship / The Workers' Uprising in Macondo
Soon Gabriel, inspired by the flight of Venezuelan dictator Marcos Pérez Jiménez, started writing a so-called dictator novel The Autumn of the Patriarch. The writer worked on this book for seven years and it appeared in print in 1975.
United Fruit Company workers loading bananas onto a ship / The Workers' Uprising in Macondo
Marquez in 1959 / Melquíades writes the chronicle of Macondo
When Gabriel decided to quit his job in order to work on the novel One Hundred Years of Solitude without hindrance, his wife Mercedes took on all the cares.
She earned money, asked for food on credit from their butcher and baker as well as rent on credit from the landlord of the house they rented in Mexico City.
When the novel was finished, there wasn’t enough money to send the manuscript to the publisher, so Mercedes pawned her hairdryer and mixer. That’s when she uttered the phrase, "the last thing we need is for this novel to turn out to be bad".
Garcia Marquez completes the novel "One Hundred Years of Solitude"
Garcia Marquez completes the novel "One Hundred Years of Solitude"
Marquez in 1959 / Melquíades writes the chronicle of Macondo
In 1981, the author published a novel entitled Chronicle of a Death Foretold. The story was written in a pseudo-journalistic style. After a while, the work became the basis for the film directed by Francesco Rosi.
When Gabriel decided to quit his job in order to work on the novel One Hundred Years of Solitude without hindrance, his wife Mercedes took on all the cares.
She earned money, asked for food on credit from their butcher and baker as well as rent on credit from the landlord of the house they rented in Mexico City.
When the novel was finished, there wasn’t enough money to send the manuscript to the publisher, so Mercedes pawned her hairdryer and mixer. That’s when she uttered the phrase, "the last thing we need is for this novel to turn out to be bad".
At work on The Autumn of the Patriarch
At work on The Autumn of the Patriarch
The creator of the work himself dubbed his novela a "poem on the solitude of power". The storyline of the novel includes a huge number of anecdotes from the life of the escaped politician. The book was splendidly accepted by the society.
The book is written in long paragraphs with extended sentences. The general’s thoughts are conveyed to the reader in tangled sentences that convey his desperation and loneliness along with the atrocities and ruthless behaviour that keep him in power. One of the most striking aspects of the book is its emphasis on the protagonist’s godlike status and the inexplicable awe and respect with which his people treat him.